感觉被耍．．．完毕

07是NIKE AF1的25周年 NIKE也为此大费了一把脑筋 各种的庆祝活动 各种的限量 各种的噱头 也赚到了大把的钞票 AF1更是借着25周年之力 彻底的将DUNK推下了位 还记得DUNK SB的热火朝天的03年 360度的一双普通DUNK都有可能被抄上一把 各色AF1却只能在一旁必恭必敬 无情的被打入折扣区 转眼至今 一向在国内身处高贵的DUNK SB也开始折扣销售了 营销战略上不得不佩服NIKE 要什么火 什么就会火 而且一火起来 更使得众人如飞蛾扑火般的蜂拥而上 不然也不会后发治人 一举干沉了CONVERSE和ADI 在运动和街头文化中 当人不让的处在了大哥级别 并且创造和书写出了绚丽的SNEAKER文化

个人觉得AF1还是相当经典的款 无论从脚感 还是搭配 都是一流的 再加上点噱头更是完美 在AF1 25TH系列里 "噱头"最大的个人认为就是NBA球员系列 除了噱头就是噱头 扒开了噱头还是噱头 一点意思都没有 而且出的是不厌其烦 不亦乐乎 丑陋至极 上价甚之离谱 本以为这已是最高境界了 但不料前些天在网上又看到了这个 真是让我这对AF1 25周年充满无限崇敬的人大跌了一次眼镜 煞风景 不过煞风景归煞风景 配色还绝对是一流 屎黄陪糟绿 和切题 不知道有没有小马的白蓝配色

00年Hedi Slimane加入Christain Dior开创DIOR HOMME 并在极其短暂的时间里将世界男装趋势顺利的带入了自己的STYLE 7年之后他选择了离开 坚持自己信念无奈的离开了

HEDI沉默了许久 对外界的议论和猜测作出了个人声明:

I GUESS THIS WEBSITE COULD BE MY OWN TRIBUNE. ENGLISH IS NOT MY NATURAL LANGUAGE, BUT I THOUGHT I WOULD WRITE THIS MYSELF. HOPEFULLY IT WILL MAKE SENSE TO SOME, AND STRAIGHTEN SOME IMPRECISE RECORDS. I WAS SILENT FOR A LONG TIME. I OBSERVED WITH INTEREST HOW BLURRY AND TWISTED EVERYTHING HAS BECOME. I ALMOST FEEL LIKE I’M A STRANGER TO ALL THIS, AND TOTALLY RELIEVED IT HAS FINALLY COME OUT.

IN JULY 2000, ALMOST 7 YEARS AGO, I JOINED CHRISTIAN DIOR AND STARTED TO DEFINE DIOR HOMME. I CAME FROM SAINT LAURENT. I WAS A LITTLE MISERABLE AND SAD OF THIS SUDDEN EXODUS, AND THE IDEA OF STARTING EX-NIHILO A DIFFERENT MASCULINE PROJECT AT DIOR WAS APPEALING. I’VE ALWAYS FELT FOR THIS BEAUTIFUL HOUSE.

I BELIEVED DIOR HOMME, NEWLY CREATED, COULD BE A HOLISTIC PROJECT. THROUGH THE YEARS I WAS LUCKY ENOUGH TO COLLABORATE WITH SO MANY CREATIVE MINDS AND DEVELOP A COMMON SENSIBILITY. I WANT TO THANK THEM ALL FOR A REALLY FRUITFUL COLLABORATION. IT WAS A TIME CAPSULE—7 YEARS OF PRODUCING MUSIC, BANDS, ARCHITECTURAL SPACES, ART PROJECTS, ANDDESIGN. I GUESS I WAS SOLELY INTERESTED IN THE TIME I WAS IN, LIVING IN COMPLETE MOVEMENT.

I ALWAYS TRIED TO STAY FAITHFUL TO MY BELIEFS, AND THE IDEAS I WAS PURSUING. I TRIED NOT TO GET DISTRACTED. I HAD A CERTAIN IDEA OF THE HOUSE OF DIOR, WHICH I LOVE, AND TRIED TO EXPRESS IT THROUGH DIFFERENT MEDIUMS. IT WON’T BE FOR ME TO JUDGE IF IT WAS OF ANY RELEVANCE. I WAS JUST TRYING SOMETHING.

I CANNOT THANK MY TEAM ENOUGH, MY STUDIO, AND MY ATELIER, WITH WHOM I BUILT DIOR HOMME. IN SOME WAYS I FEEL IT IS THEM I HAVE LEFT, AND I WOULD HOPE THEY WILL UNDERSTAND. I WANT THEM TO KNOW I LOVE EACH ONE OF THEM. THEY WERE ALWAYS BY MY SIDE, AND ME BY THEIRS. WE HELPED EACH OTHER THROUGH THE PROCESS OF DESIGN AND THE EXPECTATIONS. I ASSUME WE HAD THE BEST TIME TOGETHER DESIGNING ABSOLUTELY EVERYTHING IN THIS TINY STUDIO.

I ALSO WANT TO THANK ALL THE BOYS THAT DID MY SHOWS AND THOSE I PHOTOGRAPHED, THE ONES I FOUND RANDOMLY AND ALL THE OTHERS. THEY HAVE BEEN A STRONG INSPIRATION–IF NOT THE ONLY ONE–AND THE REASON WHY I DESIGNED THE CLOTHES. I LIKED NOTHING MORE THAN SEEING THEM TAKING OVER THE SHOWS AND MAKING THE CLOTHES THEIR OWN.

I WANT TO THANK ALL THE MUSICIANS I WORKED WITH, THE ONES I DRESSED, THE ONES I PHOTOGRAPHED, AND THE ONES THAT COMPOSED MUSIC FOR ME. I WAS FORTUNATE ENOUGH TO PARTICIPATE IN THE BIRTH OF THIS NEW SCENE, WHICH I GUESS HAD A LOT TO DO WITH THE SILHOUETTE I WAS TRYING TO CREATE. I ALWAYS HAVE THIS GENERATION IN MIND, AND I GUESS I’M STAYING BY ITS SIDE. I WOULD LIKE TO THANK ALL THE BOYS AND GIRLS WHO FELT IT.

I WANT TO THANK ALL THE PEOPLE THAT MANUFACTURED MY DESIGNS WITH SO MUCH CARE AND PRECISION, THE TEAMS THAT CARRIED THIS PROJECT INTO STORES, AS WELL AS THE RETAILERS THAT SUPPORTED MY COLLECTIONS.

I WANT TO THANK BERNARD ARNAULT, WHO TRUSTED ME WITH THIS PROJECT. I WAS REALLY BLESSED TO BE ABLE TO DEVELOP IT. I HOPE HE WILL UNDERSTAND MY POSITION AND DECISION, IF NOT NOW, THEN HOPEFULLY WITH SOME TIME.

CLOSE TO A YEAR AGO, MORE PRECISELY LAST JULY, AT THE END OF MY CONTRACT, I FELT IT WAS TIME FOR ME TO MAKE A MAJOR CHANGE, AND LEAVE THE COMPANY. I HAD ALREADY SET UP THE PRINCIPLES THAT COULD CONTINUE TO BE THERE FOR DIOR HOMME. AS FOR MY OWN STYLE, I DECIDED IT WAS TIME TO SEPARATE THE 2.

IT HAS BEEN SAID THAT A PROPOSAL CAME TO ME TO START A NEW HOUSE UNDER MY NAME IF I STAYED WITH DIOR HOMME.

I TRIED TO MAKE THINGS WORK FOR ABOUT A YEAR. HOWEVER, I HAD THE FEELING IT WAS NOT THE RIGHT PROJECT FOR ME. THERE ARE AREAS I WILL NOT COMPROMISE WITH AT ALL WHEN IT COMES TO MY WORK, AND SETTING UP A LABEL UNDER MY OWN NAME. I ALWAYS KEPT IN MIND THE PRECEDENCE OF SOME DESIGNERS I ADMIRE WHO WERE IN A SIMILAR SITUATION, AND CHOSE THE OTHER PATH. PERHAPS IN ANOTHER TIME IN MY LIFE, UNDER OTHER CIRCUMSTANCES, MY NAME, AND THE MANAGEMENT OF A COMPANY UNDER MY OWN LABEL WOULD BE CONSIDERED DIFFERENTLY. RIGHT NOW I FEEL IT IS VERY IMPORTANT TO STAY TRUE TO MY PRINCIPLES, AND THE IDEA I HAVE OF FASHION.

I HAD NO OTHER CHOICE THAN TO REFUSE THE KIND PROPOSITION THAT WAS MADE AND TO DECLINE A NEW DIOR HOMME CONTRACT. I MADE THIS CLEAR JUST AFTER MY LAST SHOW, THE SECOND WEEK OF FEBRUARY, AND LEFT FOR LOS ANGELES. I DECIDED TO WALK AWAY FROM DIOR, ANDMOVE ENTIRELY FORWARD.

7 YEARS WITH:

AIR
ALAN RAKE
ALEX KAPRANOS
ALLISON MOSSHART
ANDREW AVELING
BECK, MARISSA, AND COSIMO HANSEN
BRANDON FLOWERS
BRIAN MOLKO
CARL BARAT
COURTNEY LOVE
DAFT PUNK
DAVID BOWIE
ELTON JOHN AND DAVID FURNISH
LEE DALEY
JACK WHITE
JAKE SHEARS
JOHNNY BORREL
MATTHEW BELLAMY
MICHAEL STIPE
MICK JAGGER AND L’WREN SCOTT
NEIL TENNANT AND CHRIS LOWE
PAUL SIMONON
PETE DOHERTY
PHIL BUSH
PHOENIX
THESE NEW PURITANS
TOM PADDINGTON
8 LEGS
ANDREAS GURSKY
BANKS VIOLETTE
DANIEL ARSHAM
DICK EVANS
DOUG AITKEN
CARSTEN HOLLER
MUNTEAN AND ROSENBLUM
UGO RONDINONE
PAUL P.
PIERRE HUYGUES
THOMAS DEMAND
DAVID LYNCH
DAVID SIMS
INEZ VAN LANSWEERDE AND VINOODH MATADIN
GUS VAN SANT
BRUCE WEBER
IN MEMORY OF RICHARD AVEDON WHO DID MY FIRST PICTURE

Don't Know Why

I waited 'til I saw the sun
I don't know why I didn't come
I left you by the house of fun
I don't know why I didn't come
I don't know why I didn't come

When I saw the break of day
I wished that I could fly away
Instead of kneeling in the sand
Catching teardrops in my hand
My heart is drenched in wine
But you'll be on my mind
Forever

Out across the endless sea
I would die in ecstasy
But I'll be a bag of bones
Driving down the road along

My heart is drenched in wine
But you'll be on my mind
Forever

Something has to make you run
I don't know why I didn't come
I feel as empty as a drum
I don't know why I didn't come
I don't know why I didn't come
I don't know why I didn't come

<Don't know why> by Norah Jones

眼镜结束了5天的上海行程 一起过了一个周末 感觉非常近也非常远 毕业以后见面的机会就非常少 北京上海两个说远不远的说近不近的城市 见了面感觉还是和以前一样近 眼镜也成熟了不少 可惜最近一直比较忙 今天因为上班没能送他 晚上回家后还发现他把屋里小收拾了一下 还好五一因为一些事要回家一趟 到时又可以见面了 不然一个人在这真是无聊